Providing behind the scenes footage of the director on set with clips from his own films, Martin Scorsese Directs depicts to riveting effect the way Scorsese brings the written story to life on the big screen. Additional interviews with the likes of Joe Pesci, Harvey Keitel, Thelma Schoonmaker, the director’s own parents, and others build a perception of Scorsese that not everybody knows.

Providing behind the scenes footage of the director on set with clips from his own films, Martin Scorsese Directs depicts to riveting effect the way Scorsese brings the written story to life on the big screen. Additional interviews with the likes of Joe Pesci, Harvey Keitel, Thelma Schoonmaker, the director’s own parents, and others build a perception of Scorsese that not everybody knows.

Martin Scorsese is the unchallenged master of the cinematic quest for Italian-American identity. He has etched the cinematic image of the Sicilian mafiosi and the reality of America with incredible actors like DiCaprio and De Niro.

A collection of promotional videos and rarities from the 1960s, 1970s and 1980s.

A cinematographic meeting of four writers who are also actors, directors, teachers and playwrights. This multiplicity of trades is related to the word and the common point of two episodes four that compõem or film. Four stories, four protagonists: two men, two women who reflect, in different ways, on writing, reading, the generational clash and the creative process.

Gary Hobson thinks he may even be losing his mind when tomorrow's newspaper mysteriously arrives today giving him a disconcerting look into the future. What will he do with tomorrow's news?

Edward is an editor in a small English publishing house. The story concerns what happens when he receives a very good manuscript from Nicholas, an old friend, who up until now has been a hack writer. The manuscript sheds light on events both men lived through, and Edward comes to the conviction that it reveals that it was Nicholas who raped the woman Edward loved, and that he is therefore responsible for her subsequent suicide. Very carefully, he plots his revenge.

City Edition immerses us in a lived experience of the fourth estate, beginning with the print-run and purchase of a single issue of the New York Times; a rapid found-footage montage of political happenings, wars, sports, celebrity, and natural disasters ensues—the whole world in bits and pieces. These disparate scenes are woven in and out of one another as though rendering visually the dissonance of reading the folded pages of a newspaper as a singular thread of events.